{"id":1082,"date":"2015-05-07T18:00:59","date_gmt":"2015-05-07T17:00:59","guid":{"rendered":"http:\/\/arquitecturadeasturias.com\/obras\/?p=1082"},"modified":"2015-05-07T22:58:39","modified_gmt":"2015-05-07T21:58:39","slug":"casa-el-pedregal","status":"publish","type":"post","link":"https:\/\/arquitecturadeasturias.com\/obras\/casa-el-pedregal\/","title":{"rendered":"Casa El Pedregal"},"content":{"rendered":"

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Arquitectura moderna en Asturias (1950-1965)<\/span><\/a><\/p>\n\n\n\n\n\n\n\n\n
Obra:<\/strong><\/td>\n\u00a0Casa El Pedregal<\/td>\n<\/tr>\n
Arquitecto:<\/strong><\/td>\n\u00a0Ignacio \u00c1lvarez Castelao<\/td>\n<\/tr>\n
Localidad:<\/strong><\/td>\n\u00a0Ribadesella<\/td>\n<\/tr>\n
Ayuntamiento:<\/strong><\/td>\n\u00a0Ribadesella<\/td>\n<\/tr>\n
A\u00f1o:<\/strong><\/td>\n\u00a01955<\/td>\n<\/tr>\n
Geolocalizaci\u00f3n:<\/strong><\/td>\n\u00a043.467,-5.076<\/a><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Otros Datos:<\/strong><\/td>\n<\/tr>\n
<\/td>\nPremios:<\/strong><\/td>\n<\/tr>\n
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<\/td>\nPublicaciones:<\/strong><\/td>\n<\/tr>\n
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  • \u00a0NANCLARES, Fernando y RUIZ, Nieves. Lo moderno de nuevo. Arquitectura en Asturias 1950-1965<\/span>. Madrid; La micro, 2014.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
<\/td>\nInformaci\u00f3n en la\u00a0red:<\/strong><\/td>\n<\/tr>\n
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<\/td>\nDescripci\u00f3n del proyecto:<\/strong><\/td>\n<\/tr>\n
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\u00a0\u00abEn 1955 proyect\u00f3 la casa El Pedregal en el Paseo de la Playa de Ribadesella. Es una casa de volumetr\u00eda compleja plantada transversalmente en una parcela relativamente estrecha que se abre hacia el paseo mar\u00edtimo, al norte, y a la v\u00eda publica que le da acceso, al sur, y se muestra sensible a esa doble orientaci\u00f3n. Sus muros de piedra caliza, despiezada en formato peque\u00f1o e irregular, combinados con lienzos de revoco de diversos colores sobre los que se abren los huecos. La cubierta es de pizarra. Este plan sobrio se anima por la descomposici\u00f3n organicista del edificio en distintos vol\u00famenes y por el efecto visual de los colores y la textura de la mamposter\u00eda. La casa alberga un complejo programa espacial y un conjunto de elementos art\u00edsticos, murales, puertas, vidrieras, apliques y cancelas que la convierten en un lugar propicio para el disfrute sensorial. Los elementos art\u00edsticos se confiaron a Antonio Su\u00e1rez, que colabor\u00f3 con Castelao en numerosas ocasiones.\u00bb<\/p>\n

Fernando Nanclares y Nieves Ruiz. <\/strong>Lo moderno de nuevo. Arquitectua en Asturias 1950-1965<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\nReportaje fotogr\u00e1fico: <\/b><\/b>Arquitectura moderna de Asturias (1950-1965)<\/a><\/td>\n<\/tr>\n
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<\/td>\nPlanos:\u00a0<\/strong><\/td>\n<\/tr>\n
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 <\/p>\n","protected":false},"excerpt":{"rendered":"

Ignacio \u00c1lvarez Castelao. Ribadesella, 1955. Es una casa de volumetr\u00eda compleja plantada transversalmente en una parcela relativamente estrecha que se abre hacia el paseo mar\u00edtimo, al norte, y a la v\u00eda publica que le da acceso, al sur, y se muestra sensible a esa doble orientaci\u00f3n. Sus muros de piedra caliza, despiezada en formato peque\u00f1o e irregular, combinados con lienzos de revoco de diversos colores sobre los que se abren los huecos…<\/p>\n","protected":false},"author":2,"featured_media":1084,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[115],"tags":[],"yoast_head":"\nCasa El Pedregal - A-A<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arquitecturadeasturias.com\/obras\/casa-el-pedregal\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Casa El Pedregal - A-A\" \/>\n<meta property=\"og:description\" content=\"Ignacio \u00c1lvarez Castelao. Ribadesella, 1955. Es una casa de volumetr\u00eda compleja plantada transversalmente en una parcela relativamente estrecha que se abre hacia el paseo mar\u00edtimo, al norte, y a la v\u00eda publica que le da acceso, al sur, y se muestra sensible a esa doble orientaci\u00f3n. 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