{"id":2106,"date":"2015-07-10T16:02:52","date_gmt":"2015-07-10T15:02:52","guid":{"rendered":"http:\/\/arquitecturadeasturias.com\/obras\/?p=2106"},"modified":"2015-07-09T19:33:51","modified_gmt":"2015-07-09T18:33:51","slug":"ampliacion-del-colegio-santo-domingo-de-guzman","status":"publish","type":"post","link":"https:\/\/arquitecturadeasturias.com\/obras\/ampliacion-del-colegio-santo-domingo-de-guzman\/","title":{"rendered":"Ampliaci\u00f3n del Colegio Santo Domingo de Guzm\u00e1n"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Arquitectura moderna en Asturias (1950-1965)<\/span><\/a><\/h5>\n\n\n\n\n\n\n\n\n
Obra:<\/strong><\/td>\n\u00a0Ampliaci\u00f3n del Colegio Santo Domingo de Guzm\u00e1n<\/td>\n<\/tr>\n
Arquitecto:<\/strong><\/td>\n\u00a0Fray Coello de Portugal<\/td>\n<\/tr>\n
Localidad:<\/strong><\/td>\n\u00a0Oviedo<\/td>\n<\/tr>\n
Ayuntamiento:<\/strong><\/td>\n\u00a0Oviedo<\/td>\n<\/tr>\n
A\u00f1o:<\/strong><\/td>\n\u00a01965<\/td>\n<\/tr>\n
Geolocalizaci\u00f3n:<\/strong><\/td>\n\u00a043.358-5.842<\/a><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Otros Datos:<\/strong><\/td>\n<\/tr>\n
<\/td>\nPremios:<\/strong><\/td>\n<\/tr>\n
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<\/td>\nPublicaciones:<\/strong><\/td>\n<\/tr>\n
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    \n
  • NANCLARES, Fernando y RUIZ, Nieves. Lo moderno de nuevo. Arquitectura en Asturias 1950-1965<\/span>. Madrid: lamicro, 2014.<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n
<\/td>\nInformaci\u00f3n en la\u00a0red:\u00a0<\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\n
<\/td>\nDescripci\u00f3n del proyecto:\u00a0 <\/strong>Lo moderno de nuevo. Arquitectura en Asturias 1950-1965<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\u00a0\u00abEn 1965 proyecta la ampliaci\u00f3n del colegio Santo Domingo de Guzm\u00e1n en Oviedo, adyacente al p\u00f3rtico neocl\u00e1sico que Manuel Reguera (Cand\u00e1s, 1731 – Oviedo, 1798) a\u00f1adi\u00f3 en 1767 a la portada de la iglesia del siglo XVI, siguiendo el dise\u00f1o original de Ventura Rodr\u00edguez. La obra de Coello se inserta con una actitud silenciosa que cede el protagonismo a la f\u00e1brica monumental. Ello no impide que el arquitecto utilice una expresi\u00f3n moderna que evidencia hasta qu\u00e9 punto las herramientas de la arquitectura de mediados del siglo XX estaban dispuestas para enfrentarse al compromiso de la historia.<\/p>\n

La fachada a la plaza es un plano liso de piedra dorada, como la del p\u00f3rtico, en la que se insertan unas ventadas de finos perfiles de acero, enrasadas con las placas de piedra. Gestos m\u00ednimos para una manifestaci\u00f3n de sumisi\u00f3n que no por ello pierde intensidad expresiva.\u00bb<\/p>\n

Fernando Nanclares y Nieves Ruiz<\/td>\n<\/tr>\n

<\/td>\nReportaje fotogr\u00e1fico:<\/b><\/b><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nPlanos:\u00a0<\/strong><\/strong><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Fray Coello de Portugal. Oviedo, 1965.
\nLa fachada a la plaza es un plano liso de piedra dorada, como la del p\u00f3rtico, en la que se insertan unas ventadas de finos perfiles de acero, enrasadas con las placas de piedra. Gestos m\u00ednimos para una manifestaci\u00f3n de sumisi\u00f3n que no por ello pierde intensidad expresiva…<\/p>\n","protected":false},"author":2,"featured_media":2104,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[154,123,293],"tags":[],"yoast_head":"\nAmpliaci\u00f3n del Colegio Santo Domingo de Guzm\u00e1n - A-A<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arquitecturadeasturias.com\/obras\/ampliacion-del-colegio-santo-domingo-de-guzman\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ampliaci\u00f3n del Colegio Santo Domingo de Guzm\u00e1n - A-A\" \/>\n<meta property=\"og:description\" content=\"Fray Coello de Portugal. Oviedo, 1965. La fachada a la plaza es un plano liso de piedra dorada, como la del p\u00f3rtico, en la que se insertan unas ventadas de finos perfiles de acero, enrasadas con las placas de piedra. 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